States of Seeing explores how an image changes through acts of perception. An oil painting becomes the source of photographic translations created through vintage pixelated glass, revealing a different state of the same image, asking a simple question: how much of what we see depends on the way we
look? The artist uses vintage glass as a threshold between what is visible and what lies beneath the
surface. The glass fragments and transforms the image, suggesting that seeing is never as straightforward as it appears. Through these shifting surfaces, her work reflects on human connection as something fragile and delicate, and therefore urgent, not because it is weak,
but because what is most precious requires attention, presence and care.