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I am a contemporary artist working with optical distortion.  I use water and glass to explore how perception is shaped by memory, inheritance, and the environments that hold us. My practice traces the quiet transmissions that form us — the gestures, sensitivities, and emotional architectures passed from one generation to the next.

Interference is often my starting point.  
Refracted light, submerged imagery, and fractured surfaces create conditions where the eye must work harder, where clarity becomes unstable, and where the line between seeing and sensing begins to blur. These distortions reveal how perception is never neutral, always filtered through history and embodied experience.

Water is a recurring site of inquiry.  
It remembers and forgets, shifts between states, and offers a way to think about lineage, displacement, and the fragile ecosystems, personal and collective, that shape us. Through water, I explore the porous thresholds between consciousness and intuition, resilience and rupture.

My visual language began in South Africa, where I first used reclaimed glass from old doors as a lens and a disruptor. Since relocating to France, this research has expanded in dialogue with regions shaped by centuries of glassmaking, deepening my engagement with fragility, transparency, opacity, and the tension between surface and depth.

Across painting, installation, and lens‑based work, I return to a central question:  
What lies beneath the surface of what we think we know : about ourselves, about each other, about the worlds we inherit?  
My practice is an ongoing attempt to look again, to look differently, and to make visible the subtle forces that shape how we see and how we are seen.

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CURRENT EXHIBITION: 

 

PASSAGE

23 MAY - 31 OCTOBER 2026

MUSÉE DU PAYS DE SARREBOURG, 

FRANCE

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